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Lucas Samaras
TWO CONCURRENT EXHIBITIONS devoted to the early work of Lucas Samaras underscore the artist’s adoption of mediums often perceived as odd, even marginal, when compared to the more familiar tropes of easel painting. Born in Greece in 1936 and enduring a war-ravaged childhood, Samaras arrived in the United States in 1948. His ceaseless drawing as a boy presaged an output whose quixotic estrangements are perhaps traceable to his immigrant experience. While a scholarship student at Rutgers University in New Jersey in the late 1950s, he fell in with a troupe of artists exploring the expressionist
TWO CONCURRENT EXHIBITIONS devoted to the early work of Lucas Samaras underscore the artist’s adoption of mediums often perceived as odd, even marginal, when compared to the more familiar tropes of easel painting. Born in Greece in 1936 and enduring a war-ravaged childhood, Samaras arrived in the United States in 1948. His ceaseless drawing as a boy presaged an output whose quixotic estrangements are perhaps traceable to his immigrant experience. While a scholarship student at Rutgers University in New Jersey in the late 1950s, he fell in with a troupe of artists exploring the expressionist

Issue #1
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- Accepted by admin
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- Apr 24, 2019