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Artforum
HUMANLY POSSIBLE
IT’S 1970 and William T. Wiley, up in Marin County, California, underneath a canopy of trees by a spindly creek, writes to H. C. Westermann:I’ve been working and bumming around—spooking myself. Me and the dog and the Iguana. I guess I’ll walk down to the post office mail this letter and then out to the studio and see if there are any miracles to wrestle with. Or maybe I’ll just hang around the stage door and congratulate the winners. Nothing to lose.1 Wiley was referring to his own work space, his theater of creation. Painter Baffles and Excess in California, 1969, is one of his numerous

Issue #2

This should be a pullquote (has class "blog-article__pullquote").
Accepted by admin
Type of issue
IV page is missing essential content
Reported
Apr 18, 2019