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HUMANLY POSSIBLE
IT’S 1970 and William T. Wiley, up in Marin County, California, underneath a canopy of trees by a spindly creek, writes to H. C. Westermann:I’ve been working and bumming around—spooking myself. Me and the dog and the Iguana. I guess I’ll walk down to the post office mail this letter and then out to the studio and see if there are any miracles to wrestle with. Or maybe I’ll just hang around the stage door and congratulate the winners. Nothing to lose.1 Wiley was referring to his own work space, his theater of creation. Painter Baffles and Excess in California, 1969, is one of his numerous
IT’S 1970 and William T. Wiley, up in Marin County, California, underneath a canopy of trees by a spindly creek, writes to H. C. Westermann:I’ve been working and bumming around—spooking myself. Me and the dog and the Iguana. I guess I’ll walk down to the post office mail this letter and then out to the studio and see if there are any miracles to wrestle with. Or maybe I’ll just hang around the stage door and congratulate the winners. Nothing to lose.1 Wiley was referring to his own work space, his theater of creation. Painter Baffles and Excess in California, 1969, is one of his numerous
Issue #1
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- May 3, 2019